Soles 1953

Elemental sculpture 1953

Untitled 1952

The Lily White 1950

Dirt painting 1953

Gold painting 1953

Charlene 1954

Factum I & II 1957

Bed 1955

Monogram 1955

First time painting 1961

Ace 1962

Winter pool 1959

Dante’s Inferno illustrations

Almanac 1962

Estate 1963

Tracer 1963

Scanning 1963

Shades 1964

Untitled (cardboard) 1972

Albino (Jammer) 1975

Untitled (spread) 1983

Untitled (scenario) 2006

Mirthday man 1997

Retroactive II 1964

Kite 1963

Study for forms on bow 1949

Fun fair 1947

Mans head 1952

Collage 1951, Collage 1951, Composition 1951, Collage 1953

Frog 1958, Figure with raised arm 1956, Study for St Sebastian 1957

Drawing for sculpture 1961, Drawing for sculpture 1961, Study for Tyrannical Tower 1961

Plaza 1964, Girot 1964, Hero as Riddle 1963

Chateau Mormont 1968, You Hurt your innocence 1968, Berkeley 1968, California 1968

Rosenthal Jahrestellain Porzellan 1978

Untitled 1977

Proxmira 1975, For Victor Hugo 1975, Untitled bronze relief 1974

Variations on a geometric theme 1968

Untitled 1973

Sobotka 1975

The Leicester Tapestry 1982

Tottenham Court Road tube station

Calcium Light Night 1974

EP & Nigel Henderson Hammer Prints Ltd

EP & Nigel Henderson (study for parallel of life & Art) 1952, Maquette for the monument to the unknown political prisoner 1952

So much colour, and gorgeous pattern layouts; an absolute delight of an exhibition.

POISONS 1943

MILLE FLEURS 1940

ARISTIDIA 1925

TERAZZO 1943

NIPPON 1943

TEHERAN 1943

ITALIAN DINNER 1943

TULPANER 1943

GULDFISK 1935

ANAKREON 1938

GRÖNA FÅGLAR 1943

NAVIGARE 1946

HIMALAYA 1950

TRE ÖAR I SVARTA HAVET 1935

BUTTERFLY 1943

WINDOW 1943

MIRAKEL

US TREE 1943

ARISTIDIA 1925

ZODIAKEN 1935

ROX & FIX 1943

MANHATTAN 1943

DRINKS 1943

SHAPES

ITALIAN FLOWER SHELF BY OLLIE EKSELL 1970

TULPANER 1943

ARALIA 1928

CATLEYA 1935

GRÖNA FÅGLAR 1943

VEGETABLE TREE 1943

https://www.svenskttenn.se/en/range/textile/fabric/

Eric Ravillious: Interior at Furlongs 1939

Cover by Vanessa Bell

Dell & Wainwright – House at Bentley Wood

Duncan Grant – Leda & the Duck chest 1917

1924

Eric Gill – Garden Roller 1920

Henry Moore – Mother & Child 1936-7

John Piper – Mixed styles from Brighton Aquatint 1939

Vanessa Bell – lampshade & Duncan Grant – Lamp 1935

Duncan Grant – Log box 1917

Vanessa Bell – self portrait 1958

Brilliant exhibition of a range of Roy Lichtenstein’s work that really opened my eyes beyond what we are used to seeing by this artist.

Images from google as not permitted to take photos at the exhibition.

Reflections on Girl 1990

Reflections on The Crash 1990

Reflections on The Scream 1990

Waterlilies with Cloud 1992

Waterliles with Japanese Bridge 1992

Waterlily Pond with Reflections 1992

Brushstroke 1965

Reverie 1965

Reflections: Art 1988

Purist painting with Bottles 1975

Modern Art II

Composition I 1996

Composition II 1996

Composition III 1996

In the Car 1963

Excellent, intricate exhibition at The Ashmoleon in Oxford. Great thread running through showing how smoother lines with more fluidity slowly crept in to art practices as they began to step away from the very precise in the traditional style of painting, right up to the Modernist style we all know so well.

Sadly, whilst the exhibition is incredibly well supported, the images are simply not available online so only a few to share here.

Marcel Gromaire, The Town of Aubusson, painting in exhibition was for this tapestry

Georges Braque ‘Fox’ 1911

Paul Cezanne ‘The Bathers’ 1896

Fernand Leger ‘Contrasts of Form’ 1913

Manet ‘Berthe Morisot’

Fernand Leger ‘Mother and Child’ 1949

Claude-Oscar Monet Sailing boat beached on the shore Saint-Adresse 1864

One of the most inspirational trips I think I’ve ever been on.

The clean lines, the colour combinations, the textures, the skills, the craftsmanship, all used to create beautiful piece after beautiful piece. An amazing collection held within the museum, and fascinating to see the different components being carefully assembled, decorated, and embellished within the factory. I will be visiting again and again as it just fed my ideas and reaffirmed my passion for ceramic ware. There’s just so much potential with such simple techniques, but the skill level of the factory workers was astounding.